Liz Janoff

Editing

Freelance, 2018–

• Copyeditor, John Andrews: Architect of Uncommon Sense, chaptered book, Harvard Design Press, 2023
• Copyeditor, Pairs 03, graduate journal, Harvard University Graduate School of Design, 2022
• Copyeditor, Sable Elyse Smith: And Blue In A Decade Where It Finally Means Sky, artist monograph, JTT Gallery and Regen Projects, 2022
• Copyeditor, Peter Barclay: Second Class Citizen, liner notes, Numero Group, 2022
• Copyeditor, Lain Singh Bangdel: Moon over Kathmandu, exhibition catalogue, Yeh Art Gallery, 2022
• Copyeditor, Pairs 02, graduate journal, Harvard University Graduate School of Design, 2021
• Copyeditor, Frances Hynes: The Wanderers, 1994–2001, exhibition catalogue, Yeh Art Gallery, 2021
• Copyeditor and publication assistant, Kenneth and Karen Koch Collection, collection catalogue, Kenneth Koch Literary Estate, 2021
• Copyeditor, Archways 1, fiction and poetry anthology, Archway Editions, 2021
• Editor, The Physiology of Taste, illustrated reprint, Catalpa Books, 2019

Matthew Marks Gallery, 2018–2020
Copyedited and conducted editorial research for:

• Jasper Johns: Recent Paintings & Works on Paper, Matthew Marks Gallery, 2019
• One Hundred Drawings, Matthew Marks Gallery, 2019
• David Weiss Drawings, Matthew Marks Gallery, 2019
• Ron Nagle: Getting to No, Matthew Marks Gallery, 2019
• Philosophical Objects: an essay on the sculpture of Charles Ray, Charles Ray, 2019
• Ellsworth Kelly Color Panels for a Large Wall, Matthew Marks Gallery, 2019
• Vija Celmins: To Fix the Image in Memory, San Francisco Museum of Modern Art, 2018
• Anne Truitt Paintings, Matthew Marks Gallery, 2018
• Suellen Rocca Drawings, Matthew Marks Gallery, 2018

Education

• PhD candidate in Art History, CUNY Graduate Center, 2023–
• MA Art History, Hunter College, City University of New York, 2022
• BFA Studio Art, NYU Steinhardt School, 2013
• BA Urban Studies, NYU Department of Social and Cultural Analysis, 2013